Br0kenTeleph0n3

Following the broadband money

Posts Tagged ‘Copyright

Music piracy drives legal sales (a bit)

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For light relief I sometimes follow copyright issues, especially music piracy. So it was with great interest I came across this little tidbit from the European Commission’s institute for prospective technological studies.

The good guys there analysed the clickstreams from 16,000 digital music consumers and concluded that a 10% increase in clicks on pirate music download sites leads to a corresponding 0.2% rise in clicks on legal download sites.

Conversely, a 10% increase in clicks on legal streaming websites leads to up to a 0.7% increase in clicks on legal digital purchase websites.  The difference in effect between legal and illegal sources on music sales is basically zero, they found.

“Our results suggest that internet users do not view illegal downloading as a substitute for legal digital music,” say the researchers.

“Our fi ndings indicate that digital music piracy does not displace legal music purchases in digital format. This means that although there is trespassing of private property  rights (copyrights), there is unlikely to be much harm done on digital music revenues.”

Bottom line? The Pirate Bay, Megaupload etc were doing the music companies’ marketing for them. For free.

It’s time to repeal the misbegotten Digital Economy Act, and lift the useless court-imposed ISP blocks on content.

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Written by Br0kenTeleph0n3

2013/03/19 at 22:25

BT slips into farce with Superfarce gag

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BT’s attempt to shut down a satirical website, Superfarce-Cymru.com, is itself degenerating into farce.

Emails between Richard Brown, the site owner, and BT reveal that BT doesn’t even own the site it accuses Brown of copying.

Brown received a letter from BT’s legal department informing him that he had copied much of the content of the website Superfast-Wales.com, including the design of the front page, and giving him seven days to remove material that was BT’s intellectual property.

Brown wrote back asking which bits infringed BT’s copyright. “As you have chosen to give this the highest of priorities (just 7 days) I would like to expedite this for you, but in the absence of a response to my request for clarification regarding the specific nature of the changes you wish to see it is somewhat challenging to assist you.”

Bernadette Mee, head of trade marks at BT, who wrote the original letter, apparently went on leave in the middle of this correspondence. As a result it escalated to Miles Beckingham, BT’s senior trade mark attorney, who thundered, “BT requires that you remove from your website all content which has been directly copied from www.superfast-wales.com.”

Brown had done some homework in the meantime. He responded to Beckingham, saying “Well, as you are apparently unclear as to what elements of the site are in question, perhaps it would be helpful if we clarified what we are discussing.

“Firstly, http://superfast-wales.com is not a BT property, as demonstrated by the leasing arrangement for the URL that can be evidenced here:

“http://who.is/whois/superfast-wales.com

This shows that Superfast-Wales.com is registered to one Gary Mortensen-Baker. Googling Mr Mortensen-Baker throws up a credit for a YouTube animation that explains the next generation broadband technologies BT plans to deploy in Lancashire, home to the B4RN fibre to the home community project.

Brown wrote, “Whilst superfast-wales.com is not a BT property, I am nonetheless keen to try and assist you with concerns you have expressed with regard to your copyright and/or IP.

“Perhaps you can find the time to identify those elements that you believe are BT property, regardless of the ownership of the superfast-wales.com website?

“With specific regard to your artificially short deadline – this would have already been completed if your department had acted promptly, as per my requests.”

Meanwhile on Twitter, @BroadbandBill, widely believed to be Bill Murphy, managing director of BT’s next generation access project, indicated that all Brown has to do is remove the blurred image that BT’s legal department believes represents the BT logo.

Written by Br0kenTeleph0n3

2013/03/12 at 22:36

UK faces Comms Bill disaster because DCMS doesn’t get it

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The government has released a schedule of seminars designed to gather information that will inform the Green Paper that will lead to a new Communications Bill in 2015. The supporting rationale suggests it is bent on solving last century’s issues, not those of a fully digital, hypernetworked, globally competitive economy. In short the department of culture, media and sport (DCMS) just doesn’t get it.

Starting in July delegates will address

Fundamental to the debate is the broadband market in the UK, which underpins everything DCMS would like to happen. The government appears to think this job is done. It is wrong.

It says it “is already investing a total of £830 million by 2015 into improving broadband connectivity in poorly served, mainly rural areas, upgrading mobile infrastructure and establishing some of Europe’s best connected cities. Government must now also consider the other crucial building block of digital infrastructure: spectrum.”

In fact, there is not yet a single live line in the country that has come through the BDUK procurement framework process, which governs the £830m. The nine firms invited to pitch for the business resulted in two  suppliers – BT and Fujitsu – hardly a rampantly competitive scenario.

Furthermore, the European Commission has stalled the release of BDUK’s funds because none of the UK proposals put forward so far meet its target of a universal 30Mbps broadband service by 2020. There has been some movement on this; existing contracts such as Cornwall, which offer “up to” 24Mbps, will be allowed to go ahead, but new ones must meet the 30Mbps target.

Why now?

The timing of the seminars is curious. Not only is DCMS distracted by the Olympics, but the House of Lords communications committee is looking at the broadband issue. It has heard evidence that the fibre to the cabinet solution proposed by both BT and Virgin Media is a technological dead-end, unlikely to meet Europe’s secondary target of 50% of users receiving a 100Mbps service. The committee’s findings and recommendations are unlikely to inform the seminars, but may be out in time for the Green Paper DCMS hopes to publish early in 2013.

Similarly with Ofcom’s business connectivity review. This three-yearly review of the network services available to businesses, such as leased lines and backhaul, will not start before July, an Ofcom spokesman says. Its conclusions, which will assess issues such as competition levels and barriers to entry in this £2bn/y market, are unlikely to be available much before year-end. This leaves little time to absorb and debate them before they are incorporated, or not, in the Green Paper.

Fit for purpose?

It is true that DCMS has some important issues to put to bed. These include online copyright, content creation and protection, and access to content. However, these issues derive from rather than drive the physical networks.

The government appears to believe that the UK has a network infrastructure fit for purpose for the networked age. There is plenty of evidence that this not the case.

At the consumer level there are just two physical networks, BT’s and Virgin Media’s. They presently overlap, duplicating coverage for about 50% of the UK’s houses. It is unlikely that VM will go much further than this for fear of being forced to provide third parties like BT with physical access to its ducts or wholesale access to its fibres and cables.

This is likely to leave BT with an effective fixed network monopoly in the two-thirds of the country where the “Final Third” of the people live. Of course, there are other fixed networks, such as those of Geo, of Cable&Wireless Worldwide, of Vtesse Networks, that criss-cross the country. But they do not offer connections to residential customers. Some, such as Gigaclear, do. But they are very small and their business models fragile.

BT has a product, PIA or physical infrastructure access, that allows third parties access to its poles and ducts. So far only Andy Conibere’s CallFlow Solutions has taken it up. Matthew Hare, CEO of Gigaclear, says CallFlow can do it because it gets its money upfront from customers. Hare has looked at PIA and rejected it. He’s put off not so much by the price (which Fujitsu and Virgin Media say is way higher than cost) but by the terms and conditions.

“You can use PIA only for residential customers,” he says. “BT knows that any viable business plan to service rural areas relies on being able to go to all customers, including businesses,” he says.

That’s not all. Hare says, among other things, you have to disclose your entire roll-out plan, and pay BT to survey the ducts you want to use. “They should know what’s available and what condition it’s in,” he says.

Other firms, such as TalkTalk and Sky, simply rent BT’s local access networks to deliver TV, broadband and voice services to customers. The rent they pay BT, or rather Openreach, ensures that BT still profits from the transaction. This is common practice throughout Europe

Wireless worlds

Then there are the wireless network operators, led by the mobile phone companies (MNOs and MVNOs like Virgin Mobile who rent their entire network infrastructure from Vodafone, Orange, O2 or Three). They are increasingly interested in serving data products to consumers, but preferably only in towns. Besides, they have to rent space on fixed networks to hook up with the UK’s core networks and internet peering points.

This is why Vodafone’s mooted takeover of CWW is a possible game-changer; it gives the mobile operator instant access to a fixed network whose backbone is probably as extensive as BT’s and which could backhaul wireless local access links in competition to BT. It also responds to the £100m, eight year backhaul deal between Virgin Media Business and MBNL, the network company for Everything Everywhere (O2 and Orange) and Three, signed in September 2011.

The only wireless network operator with coverage comparable to BT is Arqiva, whose main job is distributing TV and radio broadcasts. BT and Arqiva are in a joint venture with Detica to compete for the network for the smart meter project that will connect the UK’s 28 million homes and offices.

Content competition

The UK has the world’s second largest independent television production sector, is the second biggest exporter of music, the largest video games industry in Europe, and the fourth largest film market. That suggests the UK’s content businesses are doing all right.

DCMS says the “creative industries” including publishing, contribute 2.5% of GVA (gross value added), about £36bn, and employ 1.5 million people. Ofcom’s Communications Market report for 2011 largely corroborates it. It says TV revenue was up 5.7% to £11.8bn, radio was up 2.8% to £1.1bn, recorded music was down 8.6% to £1.2bn (but legal downloads were up 5% to 24% of sales), advertising was £16bn, 24% of it online, about the same as TV.

But that hides some problems. Publishers and other rights holders worldwide have been stunned by the proliferation and fragmentation of media. Facebook, Twitter, YouTube, Huffington Post, Google, Amazon etc have made mincemeat of business models that depend on high-priced access to exclusive content.

Even so, it is staggering to find DCMS wants to debate “whether convergence in the content market should require a degree of convergence in the telecoms/broadcast competition regimes”. It is hard to know what this actually means. It makes no sense unless it is a veiled threat to the ability of the likes of Google, Amazon, Apple and Sky to do deals that aggregate content and deliver it to customers for a price they are willing to pay.

These firms provide platforms for ordinary people to create and distribute their own content, without bothering cartel-like middlemen like record companies and book publishers.

There are things to be said about excessive market power and abuse of personal information, whose disclosure is often the price paid. But that is a different issue to one that should inform a Communications Bill.

By ignoring the issue of competition at the network infrastructure level, the government is in danger of condemning the UK to a sclerotic digital infrastructure that is not fit for purpose in the 21st century.

By missing or ignoring the fact that the future networks are as much about uploading and sharing as downloading and consuming, the government risks duplicating the content distribution cartels of the previous century.

Let the debate begin.

Why the EU will repent ACTA at leisure

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The 22 European states that signed up to the controversial Anti-counterfeiting Trade Agreement (Acta) last week may have been in an unseemly rush.

They appear to have ignored the recommendation that the European Parliament (EP) postpones ratification of the US-inspired agreement on at least two grounds: firstly, because it does not comply with existing European rules and agreements (acquis) as it stands, and secondly, because the European Court of Justice has not had a chance to evaluate the method for calculating financial damages for copyright infringements.

The haste with which the UK and 21 others joined the US, Australia, Canada, Japan, Mexico, Morocco, New Zealand, Singapore, South Korea and Switzerland may also have led to the resignation of Kader Amir, the Acta rapporteur. Amir was responsible for shepherding the agreement through the EP ratification process, scheduled for June. He quit on the day of the signing, describing the process as a “masquerade“.

The recommendation to postpone is in a 76-page technical assessment ordered by the EP as to whether Acta is compatible with the existing acquis communautaire and the World Trade Organisation’s Trade Related intellectual Property rights (TRIPs) Agreement. (For my highlighted copy see here.)

The authors found plenty that disturbed them. Some of it may be why Germany, the Netherlands, Estonia, Cyprus and Slovakia did not sign up.

They also said it was “difficult to point to any significant advantages that Acta provides for EU citizens beyond the existing international framework”.

“The apparent lack of intent to seek congressional approval and thus actually implement the treaty in US law begs the question of what, if anything, the EU gained from the US. There are serious concerns regarding whether Acta will have any effect under US law and thus be able to be treated as a treaty under international law,” the authors said.

They added that the exclusion of China, India and Brazil (which were apparently not invited to the secret negotiations and which have all raised questions over Acta) meant that major competitors to the EU are not bound by its provisions.

The authors said the EU had won one concession, that Acta signatories would act against faked geographic indicators (GIs). GIs cover brands like Parma ham and Champagne. But counties that do not already protect GIs are not bound by Acta. This exempts the US, Australia, Japan and South Korea, the study said.

The authors found that proposed measures on copyright piracy seen in early leaked documents published on WikiLeaks had been watered down. However, the proposed financial penalties go further than existing EU and international agreements.

“Damages apply not only to a knowing infringement but also to infringement due to negligence,” the report says. “Thus those who could be considered to have reason to know they were or might be infringing, would be liable for damages even if they did not intend to infringe.”

This would appear to nail websites like The Pirate Bay and MegaUpload. These pointed to sites that held infringing material, even though they did not host it themselves. Both have been shut down using other laws.

But it could include search engines such as Google, which index and point to sites that host infringing material. Google is clearly the focus of a secret document, now public after a Open Rights Group Freedom of Information request, that calls for search engines to delist sites that hold infringing material.

Penalties

Acta provides for judicial authorities to order four types of financial penalties: for the infringer to pay his profits to the rightsholder, to pay pre-established damages, or a presumption of the harm caused by the infringement, or additional damages.

The authors objected to the way in which damages are to be calculated. They said, “The focus is not on objective tests but on any ‘legitimate’ measure of value the rightsholder puts forward.”

The list of measures to be taken into account when assessing damages contains “two novel approaches that are problematic” and not in the existing rules. These are the market price of infringing goods, based on the concept that each infringing product constitutes a lost sale; and the suggested retail price, which they describe as “another proxy for the concept that each infringing product represents a lost sale”.

The authors said, “This latter authority is only mandatory for cases of copyright and trade mark infringement, not for the infringement of designs, patents or geographical indications.”

The authors noted that rightsholders could allege copyright infringements to prevent competitors indefinitely from entering markets. This could include makers of generic drugs (drugs that are out of patent protection), but only in signatories’ markets.

Acta also excluded copying for personal, no-for-profit uses, including “fair use” for study, teaching, new reporting, commentary or criticism, they said. It also sought to criminalise unauthorised copying by anyone.

“(Acta’s) criminal measures (are) most problematic in the field of copyright and related rights, as these cover not only economic actors, but address private individuals in equal measure,” they said.

The authors accepted that it is important to protect intellectual property, but added that “knowledge” has a sell-by date.

They raised questions over who stands to benefit from such protection. The said countries with more established knowledge-based capabilities (ie research-intensive manufacturers, pharmaceuticals, software, or creative products such as music, films, etc) will benefit, not least through enforcement.

“Countries with weaker knowledge-based capabilities are likely to benefit most by being outside such an international system, so they can freely exploit and imitate IP-related products in their own domestic economies,” the authors say.

“Where they are successful, these countries may even be able to compete with the original IP owners, thus becoming exporters of such products themselves.”

From the start Acta has aimed to further the interests of the US music and film industry, almost exclusively. It has been negotiated in secret, with US president Barack Obama stating at one point that it was a US national secret. It does nothing to enhance protections the EU has already secured in public forums, and may severely curtail the ability and capacity for its people to use what is already published for legitimate ends.

Rejecting ratification means that the EU writes off the cost of the negotiations, and possibly some political capital. Accepting it lock, stock and barrel potentially exposes EU citizens to unquantifiable criminal and financial penalties for an indefinite period, while allowing its main economic competitors free reign.

If you were an MEP, what would you do?

Written by Br0kenTeleph0n3

2012/01/29 at 14:55

Learning to love Big Brother

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There have been startling developments in the field of online copyright in the first few weeks of 2012.

Yesterday saw the European Parliament’s rapporteur, Kader Arif, hand back the dossier on the controversial Anti-counterfeiting Trade Agreement (Acta). Arif’s job was to shepherd it through parliament so that member states can get on with enacting it.

Arif said he was no longer prepared to be part of the “masquerade”, and denounced the process that had brought Acta to the point where yesterday 22 countries signed up to it.

This followed less than a week after the US Congress withdrew two bills to clamp down on online copyright infringement, and the FBI shut down MegaUpload, a website that allegedly traded or pointed to infringing copyright material.

In the past week, the music industry produced figures that showed that while sales of CDs were down, legal digital downloads were at record levels.

Meanwhile, the UK government has asked former Ofcom boss Richard Hooper to look into the feasibility of setting up a digital copyright exchange, where creators can license their work to others who want to reproduce or reuse and distribute it.

All this follows the abortive eG8 meeting last year, where “new media” representatives crossed swords with advocates for harsh penalties for copyright infringers.

The copyright issue is simply this: people who were prepared to invest bought the right to copy and distribute the original work from the creators. The machinery, materials and transport were relatively expensive, too much so for most individual creators. But thereafter the rightsholders enjoyed an effective monopoly on sales of the work, and made a lot of money from it. The internet threatens that monopoly because digital content is easy and cheap to copy and distribute by anyone with a computer and internet access.

This is not a new problem. The music industry in particular has gone a long way to coming to terms with it, even if it doesn’t like giving 30% of the sale price to Apple for stuff sold through iTunes. So the question is why it is suddenly big news?

Deep in the heart of the debate is the issue of control of the internet.

The concerns of the rightsholders are valid, but they are a sideshow. Much more important, in some circles, is to legitimise the power to censor content on the internet and to monitor troublemakers.

There can be few governments that looked on the Arab Spring, and not shiver at how fast legitimacy can wash away. Wikileaks’ release of official video footage that showed the apparent murder of civilians by US armed forces shocked millions. Wikileaks’ subsequent release of embarrassing diplomatic cables, and the reaction to it, showed how potent the net is in helping to shape public opinion. For most governments, it is simply too dangerous for the internet to be left uncontrolled.

So governments are content to let or even encourage the music and film industries to make the running for the legislation to shut down offending content and websites. The faceless MEPs in Brussels offer a convenient mask, as Arif says.

Forget about copyright piracy – it is a red herring. This is really about political control of the net. No doubt, like Winston Smith, we may all have learn to love Big Brother.

 

 

 

Written by Br0kenTeleph0n3

2012/01/27 at 08:02

Dodgy doings in defence of copyright

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Music rightsholders have shown a remarkable willingness to indulge in questionable tactics to preserve and extend their control of digital content.

First we had Lord Peter Mandelson’s Corfu lunch with Hollywood oligarch David Geffen that led to the sudden and unexpected inclusion of “three strikes and out” provisions in the Digital Economy Act.

Now TorrentFreak, a website that watches the battle between rights holders, copyright pirates and other interested parties, is following the saga of how Universal Music got YouTube to take down a promotional video for Megaupload, a free online file storage service, that was going viral.

The catchy Mega Song, which features music artists like Blackeyed Pea will.i.am , P. Diddy and Alicia Keys, has been up and down and up again on YouTube as the legal arguments have flowed.

The takedown seemed possible thanks to a side deal between YouTube (owned by Google) and Universal that allows Universal to get YouTube to take down material to which it does not own the copyright.

This goes beyond the ambit of the Digital Copyright Millennium Act (DCMA), many of whose provisions are written into the Anticounterfeit Trade Agreement (Acta), which is now in the European Parliament for a vote. Acta is a rightsholder-sponsored multilateral deal that activists claim would not pass public scrutiny.

Taken together, Acta and the Mega Song case sheds an interesting light on the motives of music rights holders.  They would make rightsholders key gatekeepers in the emerging digital economy as broadband access to digital content expands.

The UK government is fighting back, somewhat, with its consultation on a new copyright regime in the light of the Hargreaves Commission report. This would allow private copying eg from a CD you own to an MP3 player, greater access to “orphan works” i.e. work for whom ownership cannot be established, and non-commercial data mining of academic works.

Perhaps most interestingly, it has already asked Richard Hooper to do a feasibility study to test a key Hargreaves recommendation, a digital rights exchange, to reduce the friction and cost of buying online rights.

On the face of it, this would be a good or better deal for artists. According to the Bemuso blog, artists might earn five pence from a 79p digital download, and rightholders 46p. The exchange would allow them to sell rights directly, and possible earn more than what they can earn via the rightholders, without having to sign away their copyright to record labels.

If government has been slow to change the status quo and seem to be siding with rightsholders, Bemuso shows why: after the rightsholder, the next biggest beneficiary is the government.

Written by Br0kenTeleph0n3

2011/12/17 at 20:03

US nixes site and account blocking in new copyright piracy deal

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US internet service providers and copyright holder bodies yesterday signed a voluntary agreement to notify internet users when their accounts are allegedly used to download copyright material illegally.
Users will receive up to six emails warning of the alleged infringement, but there will be no blocking of websites or user accounts, and ISPs will not give out the names of their account holders.
According to a statement marking the event, content theft costs the US economy more than 373,000 jobs, $16bn in lost earnings, and $3bn in lost taxes. No source was given for these data.
The new Copyright Alert System will start to come into effect later this year.
The signatories are
MPAA and MPAA members: Walt Disney, Paramount, Sony Pictures, Twentieth Century Fox, and Universal Studios and Warner Bros
RIAA and RIAA members: Universal Music, Warner Music, Sony Music, and EMI Music North
America
ISPs: AT&T, Cablevision, Comcast, Time Warner Cable, and Verizon
IFTA: representing independent producers and distributors of film and
television programming
A2IM: representing 283 music label members, small and medium
sized businesses
It remains to be seen how this agreement will affect content aggregators such as Google, Microsoft and Yahoo, who are not signed up.

Written by Br0kenTeleph0n3

2011/07/08 at 11:59